Call for Theatre Annual EditorThe American Theatre & Drama Society seeks applications for Editor of Theatre Annual, ATDS’s peer-reviewed journal. The position has a four-year term that includes a two-year training/learning period as Associate Editor to make the position more accessible and to maintain institutional memory. Description of the Journal: Theatre Annual is the oldest theatre periodical continuously […]
Brown University Library is pleased to announce a call for applications for the 2024 NEH Institute on Born-Digital Scholarly Publishing which will occur this July. Thank you in advance for sharing the following call for applications widely with your networks. It is much appreciated. Call for ApplicationsBrown University Digital Publications invites applications for participation in an NEH Institute […]
Call for JADT Performance Review Editor (2024-2026) The Journal of American Drama and Theatre is now accepting applications for the position of Performance Review Editor. Responsibilities include: commissioning reviews of theatre and performance in the Americas, broadly defined; answering queries about conducting reviews; and editing reviews for publication. The Performance Review Editor will serve a two-year […]
Transnational Theatre Histories (Palgrave) illuminates vectors of cultural exchange, migration, appropriation, and circulation that long predate the more recent trends of neoliberal globalization. Books in the series document and theorize the emergence of theatre, opera, dance, and performance against backgrounds such as imperial expansion, technological development, modernity, industrialization, colonization, diplomacy, and cultural self-determination. Proposals are invited […]
Philadelphia Theatre Research Symposium 2024Theatre as Catalyst for Liberation: Creativity Within Constraints Friday, May 3, 2024The Philadelphia Theatre Research Symposium (PTRS) is seeking abstracts for the 2024 gathering of theater scholars and practitioners. We invite proposals for panels and roundtables for our in-person conference at Villanova University this May. This year’s theme is “Theatre as […]
Revenge is Mad Hard:Fat Ham and the Question of Cultural ReclamationSince its digital debut in April of 2021, subsequent Pulitzer win, off-Broadway run, Broadway run, and recent flurry of regional productions, Fat Ham has taken North America by storm. In re-framing the story of Hamlet from within a Black, southern family barbeque, playwright James Ijames has opened the door for […]
the Black Theatre Review (tBTR) is now accepting submissions for our fifth publication, Vol. 2 No. 2, to be published in July 2024. “They didn’t bring the hum; they didn’t bring the leader-call, they didn’t bring the field hollers, because they didn’t know them…. the hum, the holler, the leader-call are women things.” Nikki Giovanni,, Black Women Writers […]
The Journal of Consent-Based Performance is calling for papers for the upcoming special issue “Consent is an Access Issue: Rethinking Disability, Accessibility, and Consent-Based Theatre Practices.” This issue is guest edited by Dr. Catherine (Katya) Vrtis, scholar of disability and theatre, current Accessibility Officer for the Mid-America Theatre Festival, and the Co-Founder and inaugural Chair […]
Call for Papers: Performance, Possession and AutomationDeadline: Wednesday, February 1, 2024 Proposals for articles should be no more than 300 words For a special issue of TDR: The Drama Review, co-editors Rebecca Schneider, Dhanveer Singh Brar and Nicholas Ridout seek submissions which consider performances as social and aesthetic practices that potentially work in opposition to the order […]
CALL FOR PAPERSConference “The Legacy of Robert Wilson”August 5–9, 2024The Martin E. Segal Theatre Center, The Watermill CenterWe are pleased to announce an upcoming conference exploring the work ofrenowned American theatre director and visual artist, Robert Wilson, and itslegacy for contemporary visual and performing arts and future artisticproduction. In celebration of Wilson’s extraordinary career, we […]
ATDS CALL FOR PROPOSALS:American Theatre and Drama Society (ATDS) Sessions at the Association for Theatre in Higher Education (ATHE) 2024 Conference: Revisioning the StoryAtlanta, Georgia, August 1–4, 2024“Show me what democracy looks like”ATHE’s 2024 call asks us to revise or re-vision in an effort to transform both theatre practice and theatre education. Revising and re-visioning […]
With Volume 1 (both Issues 1 and 2) already scheduled to be published by Penn State University Press starting in 2024, Theatre and Performance Notes and Counternotes is a generalist journal in theatre studies (broadly defined), consisting of short-to-medium length research articles, response articles, and discussion articles.The journal operates via rolling submissions, so there is no specific […]
Song, Stage and Screen 2024Call for ParticipationRenewing/Rethinking/RevivingJune 26-29, 2024Hosted by The New York Public Library for the Performing ArtsNEW AND IMPROVED DEADLINE: 5 January, 2024Song, Stage and Screen is back!This call for participation heralds Song, Stage and Screen’s first return to an in-person gathering since 2019. Song, Stage and Screen XVII will convene at the […]
ECUMENICA: PERFORMANCE AND RELIGIONScholars and artists are invited to submit essays, artist statements, interviews, book reviews, and performance reviews to Ecumenica, a peer-reviewed journal published by Penn State University Press. As a performance studies journal, we welcome scholarship on all sorts of theatrical performance and performance art and also on the activity of religion, including […]
Performance Philosophy 2024: “After Tragedy” May 16-20th Austin, Texas For its May 2024 biennial conference, Performance Philosophy invites proposals for workshops, papers, and keygroup presentations on the theme “After Tragedy.” As we continue to confront the COVID-19 pandemic, rising white nationalist movements, climate disasters, and authoritarian violence around the world, we ask: what forms of performance and thinking might […]
Call for Papers: “Queer and Trans Readings of the Theatrical Past”A Special Section of Theatre History StudiesVolume 45 (2025)Co-Editors: Les Gray (they/them) and Kristin Leahey (she/her) Elizabeth Freeman writes in Time Binds: Queer Temporalities, Queer Histories (2010) of the epistemology of nonbinary and transgender people in history: “Trans studies has a history problem, albeit one that scholars from all branches […]